News / Toon Studio Launch

The first “buzz” of anticipation comes at the Place des Freres Lumieres on Front Lot, with the park’s attraction posters on either side of Disney Studio 1 now replaced complete by giant posters advertising this year’s original comedy from Pixar Animation Studios, Ratatouille. Following the Chicken Little and Cars “billboards” which have adorned the front wall of Disney Studio 1 upon their films’ release, this marks the third time Buena Vista International (Disney’s film distribution) have taken over Disney Studio 1 with advertising for an upcoming film.

Rémy and Emile star in the posters for Pixar’s Ratatouille.

The Cars billboard in question is still very much in place, now likely seen by guests as a huge advertisement for Cars Race Rally rather than the year-old film itself. Not content with only space for two modest rotating posters, then, Buena Vista have now taken to the back wall of the soundstage, slotting a slightly more pleasant banner than the Cars billboard into the area above its entrance doors. Posters on the Toon Studio wall of Disney Studio 1, previously featuring The Lion King and The Little Mermaid, have now also been changed to Ratatouille, completing the wrap-around.

Advertising now takes over the rear wall.

The film isn’t due for release in France until 1st August 2007, and as for the new faces of Rémy and Emile themselves, they didn’t appear until the press event itself began, after park closure. As guests enjoyed the park one week on from the opening of its first new attractions, preparations for the evening’s grand opening events couldn’t be missed:

A huge temporary entrance gate for Toon Studio was constructed several days earlier beside the Sorcerer Mickey marquee, with a blue viewing platform directly opposite beside the Hollywood Boulevard construction walls, providing a picture-perfect view through the archway to Sorcerer Mickey and the land beyond. To the left of this platform – considerably smaller than that used for the 15th Anniversary launch – a large video screen was prepared for the event, showing 15th Anniversary and Tower of Terror trailers during the normal park hours.

Next to the canyon of Cars Race Rally, lighting rigs and signage was in place ready for one of the evening’s star entertainment attractions – The Radiator Springs Band, an authentic American rock band who would later perform road classics and motoring hits from the film itself. Over at the attraction, filming equipment was fitted to the front of one red vehicle, allowing the resort’s own Audio-Visual teams to capture photos and video of guests and VIPs enjoying the attraction later.

Toon Studio itself closed at 4pm to allow final preparations for the event to get well underway. This closure was announced every half hour across the park, whilst the closure of Disney Studio 1 at 5pm was noted on special signs at its entrance.

With “only” 700 invited press and VIPs for the Toon Studio Press Event, it was classed by Disneyland Resort Paris as only a “minor” launch, especially compared to the huge 1700-strong crowd invited to the main 15th Anniversary launch back at the end of March. With such a commitment to the event, however, and some truly fun and entertaining ideas (as we’ll see in following articles), this “minor” event gives great hope for what we might expect of a “major” attraction launch, such as a certain Tower in just over six months…

All photos by Photos Magiques.

For some of the guests at the official opening, there might have been a sense of déjà vu about the whole event – just one week earlier, they’d rushed into the park to be amongst the first to preview Crush’s Coaster and Cars Race Rally as Annual Passholders. The events were a big success, as shown by the long queues to enter the area (below), despite a Fastpass-style timeslot system being implimented to give each passholder a 2-hour slot in which to preview the rides.

Despite the queues, some technical problems at Crush late in the day and general overcrowding for refreshments at Salon Mickey and the mezzanine of Disney Studio 1, the Toon Studio Preview Event was a big success for all.

(2nd June) Long queues for Annual Passholder previews.

(2nd June) Imagineer Beth Clapperton interviewed for Disneyland15.com blog.

The same weekend also saw the first low-key invasion of the press, albeit Disney’s own. The Photos Magiques camera spotted Beth Clapperton, Imagineer for Crush’s Coaster and already seen in many behind-the-scenes glimpses at the attraction, giving an interview in front of the attraction itself. Look out for this on the official Disneyland15.com blog at some point.

One week later, with previews complete and everything finally neat and pretty, it was time for the grand opening. The general smaller scale of Walt Disney Studios might have given a slightly quieter impression than the anniversary launch events of April, just two months ago, but the crowds were just as eager. To a mix of music ranging from Disney’s animated movie scores to the Peter Pan “flying” theme and “Just Like We Dreamed It”, the ceremony commenced as Arnauld Gayet, one of the two 2007 Disneyland Resort Paris Ambassadors, climed onto a small podium next to the Sorcerer Mickey marquee.

(9th June) Toon Studio grand opening ceremony.

With an impressive mix of French and English, Arnaud welcomed guests and introduced the special event, as the first Toon characters began to arrive behind him via the cadillacs of Good Morning Walt Disney Studios. Wendy Courquet, the second 2007 Ambassador, soon joined Arnaud from the empty Toon Studio behind, raving and exclaiming about each of the five attractions in the “new” land as Arnauld introduced them. Interestingly, despite the massive campaign on the esplanade, the ceremony served to inaugurate Toon Studio as en entire land, rather than to give special attention to its two brand new attractions.

With the introductions complete, several more characters welcomed (including The Incredibles) and the crowd appearing a little impatient, the guest of honour arrived to open his brand new studio – Mickey Mouse! It’s lucky that Hollywood glamour appears to never go out of style, since the dazzling white outfits worn by Mickey and Minnie might be recognised from the grand opening of the park itself, back in 2002. Mickey joined Wendy to cut the double ribbon of blue and gold, as Arnauld officially declared the new Toon Studio… “open!” with guests rushing to their chosen attraction.

The opening hasn’t been covered quite as heavily online as the huge 15th Anniversary opening events, but fans can always be relied on for capturing the magic as it happens. The following video is by Concombre2k7 on Dailymotion – ignore the apology for “poor quality”, this is just like being there:

Wait times for Crush and Cars remained impressive the entire day, with Cars Quatre Roues Rallye resting at around 50 minutes and Crush’s Coaster enjoying an everage queue of 1 hour 30 minutes, despite Cast Members warning guests the wait would be 3 hours from its entrance.

Across the park, attractions such as Rock ‘n’ Roller Coaster and Studio Tram Tour apparently rarely had wait times above 15 minutes. Kinoo on our partner website magicforum reported that total attendance at the Studios was 14,000 for the day, with around 5,000 guests heading straight towards the new attractions upon opening.

With a simple “tea cups” like Cars (albeit a brand new one) gaining a 50 minute wait that guests were reportedly quite happy to endure, the fall-out from Toon Studio will, it appears, be to now try and coax guests out of this immediately popular area and to the rest of the park.

Photos by Photos Magiques (2/06/2007) and Aaronline.nl (9/06/2007); Video by Concombre2k7.
With thanks to the opening reports from members on Disney Central Plaza and magicforum.

Wednesday, 6th June 2007. With just 3 days to go before the official opening of Toon Studio, construction walls finally disappear in the crossover between the “old” and “new” areas, forming one single, complete Toon Studio for the first time. Not only that, but crews had been busy overnight bringing in a brand new set of posters for the lighting rigs. We saw the first Snow White poster several weeks ago, and now Toon Studio is sporting a larger collection of the posters, their designs actually imported from Hong Kong Disneyland’s esplanade banners.

With construction walls gone, Willy’s Butte (the rock formation of Cars Race Rally) can now clearly be seen from the original Animation Courtyard area, forming a barrier between the courtyard and the Radiator Springs canyon beyond. The fences here, originally a clean blue behind the fences, have been weathered and rusted up for an authentic Route 66 desert feeling, especially when complemented by the wealth of planting (including many cacti) amonst the sandy soil.

The repaint of Animagique is finally completed, just in time, and we can now see the full extent of its makeover. Whilst Art of Disney Animation features blue with pink and Crush’s Coaster uses blue with blue, Animagique is set apart with its look of blue and purple. With construction fences around the Flying Carpets‘ oasis gone, we can finally enjoy this unique area in the Studios to the full – an Adventureland-style area to hide from the “Action!” elsewhere.

A final detail added to the land is the rename of the Studio Catering Co. locations. The two trailers now positioned in the land (one next to Art of Disney Animation, one beside the Toon Town gate) both feature a matching red and white colour scheme, and have been rechristened ‘Toon Studio Catering Co.’ with a slightly more prominent sponsorship by Coca-Cola. It seems that whilst Disneyland Park can have themeing delights like Cool Station and L’Arbre Enchanté, Walt Disney Studios Park must stick with a 2D sign.

Still, the new name at least separates Toon Studio even more from the rest of the park. But “the rest of the park” hasn’t been completely forgotten lately – lighting rig posters have now returned in almost all places, following their gradual demise and ultimate wipe-out through 2006.

Finally, a look at all the brand new Toon Studio character posters so far, compiled by our partner WDS Fans. The characters featured are: Snow White, Jiminy Cricket, Tinkerbell, Goofy, Cinderella, Buzz Lightyear, Ariel, Woody, Pluto, Winnie the Pooh and of course, Mickey Mouse. Who’d have thought it – decorative banners without Lumière?!

So that’s it, Toon Studio appears to be complete – finished, polished, rehearsed and ready to open…

Photos by WDS Fans and Scrooge on DMI, 5-7/06/2007.

Let’s try not to rush right up to that backdrop too soon… From near the entrance of Cars Race Rally, the Toon Studio Plaza nestles neatly in the corner beside Crush’s Coaster, with two oddly-shaped curved planters either side, enclosing the area in the middle.

The Toon Studio Plaza

Did you notice the floor on these photos by Joel? None of that strange black and grey checkerboard here — this is actually more alike what we might have expected from the project over in the old Animation Courtyard. There’s still random shapes amid straight lines, but in pale red and blue paving and sandy squares, the finish is far more appealing.

Walking further into the Plaza, surrounded by planters.

Sure, the Imagineers working on the project really wanted a different look for the old Animation Courtyard area — a more professional, serious tone — but would a nice coloured floor like this really have been such a distraction from that idea? The cost may have been prohibitive, but the final look is nothing but Disney quality.

The studio gate, with Toon warning signs and lamps.

Speaking of Disney quality, let’s get closer to that studio gate. Overlooking the similar annoyance of the ‘Toon Studio’ sign facing the wrong way, we can get a better look at just how that confusing backdrop works. The back wall features the building Goofy has crashed into, whilst two pieces of a backdrop are then positioned at an angle to form the row of buildings. Characters can walk in and out of the area via the path on the right.

Details of the Toon Town backdrop.

Along with Toon Town Skool and Laughing Academy, you’ll find Toontown News and Funny Business amongst the businesses located on the town’s Main Street. In the hills above, you might spot Mickey’s House from the actual Toon Town lands at other Magic Kingdoms. Along with Goofy crashed into the backdrop, this is one of a few clever character references throughout the area.

Donald’s security booth?

One of the most obvious references — yet one which many people might not have noticed — is that the Toon Studio Security booth clearly appears to be inspired by the captain’s cabin of Donald Duck’s boat, as seen in the Magic Kingdom attraction and the short film “Boat Builders”. As we saw inside during the last photo tour, a faux Cast Member costume even features his beak as the peak of the hat.

Mickey Mouse aspirations for the security Toons.

The Imagineers have filled the inside with endless clutter, from files, paperwork and a brightly-coloured (Sony) computer to Mickey Mouse ornaments…

No wonder they didn’t fancy their lunch after looking at that keyboard…

…and somebody’s lunch.

Mickey’s House, in Paris!

Off to the right is the second photolocation we didn’t see last time, featuring a direct view of Mickey’s House as seen at Disneyland in California. As with The Incredibles’ photolocation to the left of the studio gate, this one could also be changed quite easily for a new film or series of characters to take its place.

At the moment, Mickey has yet to be spotted here. He’s still appearing every day at his trailer over in Production Courtyard — which was repositioned from the current entrance of the new expansion area here around 18 months ago. Will Mickey move over to his house at some point, or will it be left for the mischeivous Chip & Dale to overrun each day?

The big cheese is expecting quite a queue.

Whoever becomes the long-lasting attraction of this spot, the Imagineers have certainly planned for some big crowds. Whilst character locations elsewhere at the resort have been added as an afterthought, they’re now considered a key part of Imagineering, and an organised queue like this should put some comments to rest about the behaviour of guests trying to reach their idols.

Notice also a door into the rockwork of Crush’s Coaster, and the continued dark blue hue which now stretches across this side of the building. Silver hanging lamps have been added along the wall, whilse another twisted blue lampost is positioned here. Lights and lamps are one thing the new Toon Studio is definitely not short of, especially considering the lights around Crush’s Coaster and Cars, the neons of Radiator Springs and the show lighting pointing to Crush’s façade.

Fairy lights, forever?

Slightly less permanent are these LED lights spotted by Photos Magiques. They’re a staple of many trees over in Disneyland Park around Central Plaza, but are these ones to stay forever in Toon Studio? They could simply be for the nighttime events of the Press Event on 16th June — if not, the Imagineers are planning well in advance. The park doesn’t open late enough to be seen in the dark until the deep months of Winter.

Ice cream truck re-opened.

Photos Magiques also reports in their latest update from the land that the food truck positioned against the back wall has re-opened, selling mainly ice creams for the Summer season.

The New Walt Disney Studios Park

Here we are, June 2007. This is the month when the first new attractions at Walt Disney Studios since its 2002 opening are finally inaugurated and officially opened to the public. That familiar view of Disney Studio 1 from across the park will never seem the same again — no more wide, empty courtyards or simple showbuildings for attractions. There’s definitely a “New” Walt Disney Studios atmosphere now, so much that you might even begin to feel a bit of nostalgia for the “Old” park.

But not for long, eh? Enjoy the Toons!

You can find out more about the history and development of the new land and see a full map of the area before and after its transformation at our updated Toon Studio Guide.

Photos by Photos Magiques and Joel.

When you think of Route 66, you’ll undoubtedly think of glowing neon lights soon enough. Not wanting to disappoint the expectations then, not only are neons featured throughout the little townscape, but the main entrance sign itself is a customised blue neon. Styled to the typeface of the ‘Cars’ logo (Magneto) it glows blue in a metal casing, joining the blue sky backdrop behind to give a nice constrast against the sandy yellow entrance building.

If the sandstone art deco of the “Ramone’s House of Body Art”-inspired exterior isn’t ‘Route 66’ enough for you, just take a look inside — through the open window panes a collection of highway memorabila and ‘Cars’ characters await. The queue area is a series of buildings with a more industrial ‘backstage’ area, all open at the sides and all joined together to form one continuous space – open and airy just as buildings in the real desert landscape of the USA. The road signage, industrial railings and details such as the star-shaped ceiling lights all give the feeling of motor-obsessed Route 66.

What? Not ‘Route 66’ enough for you? Well, like the main entrance sign of Crush’s Coaster, Cars Race Rally has also had a few additions since the first previews a couple of weeks ago. Now hanging in the windows of the Ramone-themed entrance are several multicoloured car hoods (bonnets) sprayed in all the colours and fancy stencilled designs you could ever imagine. They’ve added colour to both the inside and the outside — thanks to those large windows, and are just one of the many character-themed details throughout the queue.

Each character, store or location in Radiator Springs has its own information board inside this ‘Visitor Center’ to advertise their lives and trade to visiting guests. But not only that – many are also joined by additional, real, 3D props, like that gleaming trophy you’ve surely noticed already. For the uninitiated, that’s the Piston Cup — the biggest prize for racing cars in the ‘Cars’ world, and the trophy Doc Hudson – Lightning McQueen’s mentor – has won no less than twice in his time. As far as we know, this is the first and only real-life version of the CGI trophy — only at Walt Disney Studios!

It’s clear that, for fans of the Academy Award-nominated film, this quaint little attraction will truly be the holy grail of all Disney Park attractions. We’ve not even stepped inside the covered queue area yet, but when we do — another fun detail, already! Covering the entire wall to your left is the map of Carburetor County as seen at the end of the film and during the ‘Our Town’ sequence. These days, Radiator Springs is definitely on the map — the best detail of this one being a huge painting of the famous “Greetings from Radiator Springs – Gateway to the Ornament Valley” postcard.

Based on a real-life postcard from , the beautiful artwork was originally created by the artists at Pixar as a teaser for the film itself. Unfortunately, you can’t buy the artwork as a real postcard, and the queue contains a fair few other ‘souvenirs’ that would surely sell incredibly well should they become more than just queue props.

Cue Lizzie, the old-fashioned motor car who runs ‘Radiator Springs Curios’ in the film. Not wanting to miss out on a good sales opportunity, she’s got her own sales stand filled with postcards and bumper stickers — even the famous “U Want It – We Got It” slogan from her billboard-filled storefront in the film. The stand is surrounded by old-fashioned wheels like those on Lizzie herself, old tire sales signs, licence plates and even a few framed pictures of the old saleswoman herself.

And the bumper stickers themselves? Some are advertising Radiator Springs stores and locations, others simply quirky slogans from the world of Cars. Let’s take a quick read-through:

“Tow Mater Towing & Salvage”, “Cozy Cone Motel”, “Luigi’s Casa Della Tires”, “Radiator Springs Curios – Souvenirs, Brick-a-Brack, Trinkets”, “I’d rather be cruisin'”, “Got My Kicks”, “I (heart) Radiator Springs”, “Life begins at the off ramp”, “Honk if your horn works”, “I Auto Be in Pictures”, “Flats Happen”.

It appears even motor cars have a good sense of humour!

Following the queue around the Piston Cup and then over to the back-and-forth queue on the right, the cars of Radiator Springs begin to plug their trades. First a welcome from Radiator Springs Municipal Court, headed by Red the firetruck, Sheriff and the statue of Stanley…

…Then an advertisement for ‘Sarge’s Surplus Hut’, for tents, parachutes and all your surplus needs…

…Followed by Fillmore’s organic fuels. Notice that this one mixes with the exterior of Tow Mater’s salvage outside, including the drums of organic fuel we saw in Part 1 of the tour. Like the artwork hoods of Ramone’s, Fillmore’s area also includes some special props adding to his character and theme. As a hippie Volkswagon camper van, it seems only right that his information board be surrounded by 1960s multicoloured flowers, with beads hanging above illuminated by red and orange lighting — similar to Fillmore’s trippy tent in the film itself.

Reaching the far end of the double-back queue, we find Doc Hudson’s advertisements and acheivements filling the end wall and a billboard for Sally’s Cozy Cone motel separating two parts of the queue path. Notice another clever detail here? Yes, the metal supports of the board are styled just like the orange ‘Cozy Cones’ of the “newly refurbished” Radiator Springs motel itself!

Doc Hudson’s wall mainly features an advertisement for his Ornament Valley Mechanic Clinic, including a perfect recreation of its logo signage, but no doubt more interesting to fans of the film are the series of newspaper articles surrounding this, detailing his triumphs as the Fabulous Hudson Hornet racecar.

Doubling back on ourselves, we head back past the main entrance lobby towards Flo’s V8 Café, passing the other side of Lizzie’s Radiator Springs Curios stand and getting a nice view out towards the undersea facade of Crush’s Coaster across the ‘backlot’. This side of the Curios stand features more props relating to Lizzie, with a selection of postcards featuring Radiator Springs and its environs on display.

Many of the road signs and licence plates in this area are taken directly from the film, and can be seen throughout the book ‘The Art of Cars’. Though written as a production log of the animated film, the book also now provides a unique insight into the themeing of this attraction.

Nearing the boarding area under the turquoise canopy of Flo’s V8 Café, more props start to appear for the town’s only gas station — here a petrol pump, cans of motor oil and some signs and logos for the Café, positioned on a checkerboard-tiled floor and a small plinth decorated with black and white tiles. It’s the variety of styles within this Route 66 world which appears to make the attraction special. Outside, there’s a whole series of recreated locales from the film. Inside, each character gets its own space and its own style, as if the cars themselves have been in and decorated their area before guests arrive.

With so many different details and themes to explore, it’s lucky they thought to provide a map. Despite being a map of the “real” Radiator Springs on Route 66, there have been some liberties with this fantastic wall decoration to render it a little closer to the attraction – or at least to introduce the town a little better to those who haven’t seen the film yet. Off to the right and behind Flo’s V8 Café in particular, you’ll now find Willy’s Butte and the Radiator Springs raceway… which is where we’re headed in Part 3!

All photos by Photos Magiques.

Entering the new Toon Studio, the Willy’s Butte rock formation is a classic Disney “weenie” (as it has been for months), drawing guests into this brand new themed area hidden by fir trees and planting which appears as if it has been growing at the Studios for centuries. You might even spot a cactus or two amonst the rocky desert floor!

For any guests not sure where they’re headed, a familiar sight from the film has been recreated in reality as you round the corner and get a first glimpse at the raceway – the bright turquoise, yellow and black billboard reading “Welcome to Radiator Springs – Gateway to Ornament Valley”.

Further along, a new planter with a ‘Now in Production’ sign splits the themes of Cars and Finding Nemo in two. The attraction is set up like a real-life movie set, including props, a backdrop and detailed foreground buildings.

Viewed from a distance as above, the entire ensemble of themeing and movie set clichés actually builds to a fairly convincing scene, the cadillac-shaped rocks of Cadillac Range in the background. Together with the newly redecorated Sorcerer’s Hat and the fast progressing Hollywood Tower Hotel, the icons of Cars help to build a real visual feast of recognisable icons and colourful details. Does Walt Disney Studios Park now have visual icons on the scale of Disneyland Park‘s Big Thunder Mountain, Sleeping Beauty Castle and Space Mountain? That’s for you to decide…

This morning, the Quatre Roues Rallye opened for business with the park’s other existing attractions! No fanfare, no special wristbands required – everyone has been getting the chance to join the spin-out with Lighting McQueen and Mater watching from the sidelines. The queue and ride will be featured in-depth in Part 2, but a great feature of the new mini Radiator Springs development is that guests can enjoy the film shoot without actually taking part. The photo above, for example, was taken from a new viewing position right next to the track, raised above the spinning cars thanks to the 1 metre “canyon” dug out early in the attraction’s construction.

Did we say a cactus or two? Make that almost a hundred – the quality of themeing here knows no boundaries. Little paths lead through the cacti landscape surrounded by ochre rocks, the path is bordered by a highway crash barrier and the welcoming magnolia entrance building has been adorned with two banners either side declaring “Welcome Travellers” from the Radiator Springs Chamber of Commerce.

The building – based on Ramone’s House of Body Art in the film – features a strong art deco design with detailed brickwork, large window frames and an iconic tower featuring the ‘Cars’ logo in shiny, metallic 3D form – also due to be illuminated when darkness falls. The attraction’s final in-park name – ‘Quatre Roues Rallye’ – is featured in large blue neons styled to the typeface of the ‘Cars’ logo itself.

Against the perpetual blue sky of the film set backdrop, the colour scheme is incredibly pleasing to the eye, and, in just over six months time, it should mix well with the similar art deco finish of The Hollywood Tower Hotel behind.

Walking further towards the entrance, the flooring changes to a fiery red and more props spring into sight. The telegraph poles present a unique themeing idea, and are joined by extra props of oil barrels (some featuring Lightning’s cherished ‘Rust-Eze’ brand) around their base. To the right of the main entrance is an authentic Route 66 phonebooth, complete with an old-fashioned telephone from the days of the Mother Road’s rule.

During rainshowers, it appears the phonebooth can double as a shelter for the Cast Member positioned at the attraction’s entrance, similar to Crush’s beach hut. But, for the rest of the time, it’s a neat detail for passers-by. Can you think of anything like this in the rest of the park? No, neither can we. Radiator Springs has brought the park its first true slice of real Disney detail…

…Showcased nowhere better than the following series of sets. To the right of the entrance is a generic (but well themed and weathered) brick wall façade, whilst next door is the unmissable Tow Mater garage. Since this is a Radiator Springs Visitor Centre rather than the real thing (which is – according to Pixar legend – located along the real Route 66), the façades aren’t meant to be accurate to the real town but rather a showcase of its themes, locations and people.

Notice again that more aged and crooked trees have been brought in to complete the scene, with a planting area in the scene above bordered by old tires sunken into the desert floor – which again goes through various colour and style changes depending on the themes above.

Therefore, Tow Mater has infact managed to get a real building for his showcase, rather than a flimsy wooden shack. His trademark sign is still in place, though, appearing identical to that in the film with an added “Welcome” sign on a rusted piece of scrap metal. Again, compared to the pristine yellow buildings elsewhere at Walt Disney Studios, this dirty and worn wooden façade is quite a break from the norm.

In the doorway of Mater’s shack are props relating to Fillmore, the hippie Volkswagon camper van hooked on converting the world to organic fuel. These colourful barrels all feature different ingredients for his organic fuel, written in typical 1970s typeface.

At the end of row of storefronts comes the best one yet. No, you’re not looking at a still from the CGI film, this is real – you can touch it! Luigi, who we saw being sculpted many months ago, has been finished off with a perfect Fiat yellow, a shiny gloss and a trademark wince of the eyes. Next to him, the ever-smiling Guido prepares to lift some tires, also appearing pixel-perfect to that seen in the film.

The façade itself is also perhaps the most impressive, coming complete with a Leaning Tower of Tires, strings of lights, tire carvings atop the building and the iconic neon signage of ‘Luigi’s Casa Della Tires’. Notice something in the neons? Yes, ‘Casa’ comes in green, ‘Della’ in white and ‘Tires’ in red… the Italian flag, of course!

Like almost the entire attraction complex, the two vehicles have been given a spot of dirt and weathering already, to add to the rustic realism of the Route 66 setting. Above the scene is an ornate metal framework for the fabric canopy seen in the ‘Casa Della Tires’ of the film. It remains to be seen if a similar canopy will arrive to complete the scene in Paris.

Never one to miss a good sales opportunity, Luigi haseven brought over a selection of tires to showcase to passing guests. In the windows of the store, atop tire-shaped plinths, you can find such novelties as “Creama”, “Latte” and “Blanco Maximo” – Luigi’s famous white-rimmed tires which Lighting McQueen himself adopts halfway into the film.

With our tour of the Radiator Springs exteriors complete, it’s time to head back along Route 66 to the attraction entrance. The yellow stripes lead the way along a special stretch of black asphalt bordering the Visitor Centre complex, filled with worn-out cracks and crinkles as if it has supported weary Route 66 travellers for countless decades.

Back at the attraction entrance, we can find the wait time indicator cleverly positioned on a road sign beside Route 66, the ‘Cars’ logo embossed and given a silver shine, the sign itself presented in a particularly classic and well-designed style. The sign doesn’t just give useful information, it adds to the theme of the attraction. And, like everything else, it already has its fair share of dirt and grime.

For a modest little spin-out like Quatre Roues Rallye, those Radiator Springs folk sure know how to give a warm welcome! Now that we’ve toured the town from outside the race track, get ready on the starting line for Part 2, where we step inside the Visitor Centre and discover even more details from this real “dark horse” of Walt Disney Imagineering.

All photos by Photos Magiques.