News / Toon Studio

Another year, another set of sky blue banners? Spot on. For the fourth year running, we’re welcomed onto the resort hub — and again and again through Fantasia Gardens and Front Lot — by banners featuring the year’s theme logo and the word “Welcome” in a variety of languages:

The almost identical in design Mickey’s Magical Party banners have been switched out for these new canvas banners on every lamppost in sight, alternating between the French and English logos.

Are these just unoriginal, or is blue just a nice, neutral colour that works for both parks?

Either way, there’s one plus for this year’s batch of near-identical banners — they’re slightly less identical. In Front Lot, there are several designs featuring just the New Generation characters, such as Mike Wazowski, Buzz Lightyear and that ten-year-old alien who won’t ever take a break, Stitch.

Different designs or not, it’s quite an overwhelming invasion…

What is this festival called again?!

Back at Front Lot, we’re seeing the Walt Disney Studios Store entrance being “toyed” with again, as the first temporary marquee in over a year has appeared to tempt more people inside the boutique. It’s the first New Generation Festival store decoration so far, coming just days after the old Magical Party marquee disappeared from The Emporium.

Though the Little Green Men and Stitch are flat 2D designs, Slinky Dog is partially in 3D, his springy body wrapping around the entrance. Inside, you can of course pick up your very own Slinky toy.

Inside the park, the Monsters Inc. Scream Scene near the entrance of Toon Studio has been closed for several weeks to allow preparations for its starring role in the year ahead. The ‘Scream Monitors’ signage has been taken away and returned for refurbishment, and the fun yellow floor markings have been completely repainted.

In fact, though the corner is being included in the “new” features for the year, it has been in place for so long (since 2006) that the “Child Detection Agency – Scream Scene” paint had completely worn away.

As we reported at the end of January, the ‘Monsters Inc. Scream Academy’ listed in brochures and press releases was originally meant to be a brand new show that was cancelled just days before auditions. We’ve since leant that the show, which would have featured a live host inviting guests to dance and scream with the Monsters, was actually set to happen not in this tight corner but on a separate travelling stage, similar to the High School Musical shows.

Though the ‘Monsters Inc. Scream Academy’ hasn’t been removed from advertising, we now have to assume that’s the new name for the photo location, the preview videos have been made incredibly vague and all mentions are very careful never to mention the word “new”…

At least with Sully (the only live Monsters character we’ve seen at Disneyland Paris since 2002), expected to be rejoined by Mike and — for the first time — Boo (dressed up in her Monster disguise) for the Disney Showtime Spectacular over at Disneyland Park, these extra characters could hop over in between to provide something “new” here after all.

Photos by Dlrpteam for DLRP Today.com

Now attached to the cables installed just last week, the frames of three “parachutes” can be seen over the construction walls, yet to receive their final parachute-themed canopy and finishing touches:

Each parachute is currently attached to one arm of the tower by four cables, with the first three all sitting on the front side of the tower, facing the existing Toon Studio.

If the final design matches similar rides like Jumpin’ Jellyfish at Disney’s California Adventure, a further winch cable (or cables) should be added to actually pull the seats into the air, with these four cables serving only to keep them properly aligned and steady.

As mentioned previously, the parachutes have six seats — compared to just two on the jellyfish in California — allowing the ride to achieve a higher capacity of 36 riders with just one tower.

The arrival of the first parachutes and the positioning of those cables appears to have also confirmed one important aspect of this towering ride that has changed relentlessly between almost every single concept we’ve seen: the direction in which guests will be facing.

And the good news is, it looks like we won’t be facing straight outwards (or inwards) like on the off-the-shelf versions of this ride (and as even shown in the final concept), but seated at a right angle (90 degrees) to the arm of the tower above (like on the model/maquette), meaning you’ll be facing other guests — and less likely to focus on what will surely be less than magical views of the Art of Disney Animation air conditioning system and empty expansion land beyond Studio Tram Tour.

Meanwhile, the fences which squashed the path behind Art of Disney Animation last week, giving very little space to navigate this route between the back of Toon Studio and the (premature) end of Hollywood Boulevard, have now… closed the area off completely!

The area between Crush’s Coaster and Cars Quatre Roues Rallye is now a dead-end, as work continues…

Photos by Dlrpteam for DLRP Today.com

One week to build a single curve of orange Hot Wheels track would normally be a bit slow, but when you’re dealing with the new 25-metre steel halfpipe of Walt Disney Studios Park, this is certainly not bad going.

Looking sleeker and more playful than the slightly utilitarian structure of the Parachute Drop, RC Racer grew from purple/pink steel supports in the third week of February to its full orange height just last week.

Member mehdi5 on magicforum captured some great shots of the new ride being pieced together:

Whilst this weekend, Dlrpteam took to the park and assessed the impact for us:

Compared to the still very modest size of the Studios’ current floorspace, Toy Story Playland occupies quite a sizeable extension; this halfpipe positioned right at the back of the area up against the new curve in the repositioned Studio Tram Tour route. As such, it has a less dominating impact on the park at present.

Sitting between the other recent Toon Studio additions, the new attractions do appear to complete a very colourful palette of attractions — pink and orange for RC, green for Toy Soldiers, yellow and red for Cars and blue for Crush’s Coaster. But this attraction is what it is — a large steel halfpipe, similar to those produced for “regular” amusement parks by coaster manufacturer Intamin, with only minimal customisation above ground.

That customisation has actually yet to appear — if you thought the ribcage design of the track is a little strange, that’s because flat orange pieces will sit between those steel protrusions, to give the look of a flat Hot Wheels-style track. In fact, the 20-seater vehicle will really be running on this very Intamin-like triangular track hidden in the middle.

Heading around the park, the more slender track and distant placement of RC Racer gives it much less impact than the Parachute Drop. The wide base, where the covered station loading area will span the track, nevertheless plays a few perspective tricks, making the ride looks wide and expansive from Backlot (and particularly the raised entrance area of Rock ‘n’ Roller Coaster):

Yet rather more slim and subtle from Vine Street, which runs diagonally past The Twilight Zone Tower of Terror entrance:

From outside the main body of the park, Studio 1 completely blocks all visual intrusion from Toy Story Playland whilst in Front Lot. You’ve got to back up to the higher level of the main resort hub to catch a glimpse of the new attractions between Studios 1 and 3:

Finally, let’s climb the Disney Village parking structure to see how the two towering new rides slot into the wider park. Zoomed in, it’s still the plump tower of Toy Soldiers Parachute Drop which has the impact from this angle. Currently unlit, RC Racer has less presence all the way in the distance there:

And looking at the complete picture, the new land is completely dwarfed by Tower of Terror. As expected, the two attractions, both around 25 metres high, just about reach the top of the Tower’s front showbuilding, and no higher:

Nevertheless, the ride presents a dilemma for the morals of Disney Imagineering fans. On the one hand, it’s a steel halfpipe that now towers over much of the park. On the other, the clever Hot Wheels concept might well allow it to justify itself — at least far more easily than past WDI creations such as Mulholland Madness (California), Primeval Whirl (Florida) or even mini coasters like Flounder’s Flying Fish Coaster (Tokyo) and Gadget’s Go Coaster (Tokyo/California), all of which feature bare steel track and supports with little grace.

Photos by mehdi5, Dlrpteam.

If those stills from the epic new Disneyland Paris TV spot whet your appetite and you’ve yet to catch the ad on any of the major broadcasters in the UK, we’ve got a treat.

The full, 40 second commercial for the New Generation Festival. Enjoy:

Produced by Motion Theory — whose past credits include Honda, McCain, Nintendo and music videos such as Adele’s Chasing Pavements — for the resort’s agency EuroRSCG, this spectacular advert combines live action footage filmed in California with all-new animation of Disney and Pixar stars.

You’ll be seeing it for the next month across all the major TV networks. As well as this full 40 second version, you’ll see two 30 second versions and three 10 second spots, which we’ll be sharing soon!

In the UK, the commercials are trailing a new ‘Save up to 40% plus Kids under 7 stay and play Free’ offer, a quite unexpected return to such heavy discounting — the validity period even running right up to 8th November. Pushed with such a professional and genuinely exciting TV spot, Disneyland Paris looks set to be making quite a big impression in the UK over the next few months, as it attempts to win back the visitors lost through the credit crisis and poor exchange rates.

TV spots and advertising should launch outside the UK from next week, 8th March.

Video © Disney, Disney/Pixar.

Since the blacklight trickery of this unique show relies on props being moved around the stage by performers dressed all black, making them appear to “fly” in thin air, all photography of any kind has been banned right from the 2002 premiere. This was taken up a step in recent years as the Guest Flow cast members who manage the audience were given orders to run up and down the aisles with warning signs showing a crossed-out camera flash. (Shame the same can’t be done on Pirates of the Caribbean, eh?)

Given as a cute warning by the recorded voices of children, the bid to keep the theatre camera flash free and “not scary dark, just really dark” serves to ensure the show isn’t spoiled for guests and (more importantly) that the performers’ retinas stay intact, since they have to prepare their eyes to move around on the pitch-black stage. A bright, dazzling flash could cause those magical Jungle Book palm trees to wobble for the wrong reason.

So, when our photo reporter Dlrpteam sent these photos over recently, it was a surprise to say the least. Real photos from inside Animagique? Why, you’d be more likely to get a photo of Disney Studio 1 without a tower of scaffolding stuck to the front…

The explanation? When Animagique returned from its brief hiatus-slash-refurbishment on 30th January, the pre-show spiel had been changed to read more along the lines of the Playhouse Disney – Live on Stage! warnings, which state nice and clearly that whilst flash photography is prohibited, you’re more than welcome to photograph and film the show.

Besides the great plus that the show’s many fans could finally capture it on camera, the move appeared to have other positive implications — no need for Cast Members to wave the warning signs; no need for them to patrol the audience with a torch, disturbing the show. And, with pictures or video on film, the show might be remembered and recommended by visitors a little more. Despite playing up to 5 times a day almost 365-days a year, it sometimes feels all but forgotten about.

Alas, pointless to continue with those positives. The spiel has now apparently reverted back to the original and all photography is now once again banned. The reason? Too many LCD screens floating around!

Hope you enjoyed your time out of the blacklight, Animagique!

Photos by Dlrpteam for DLRP Today.com

Our previous construction update on the Parachute Drop of future Toy Story Playland provoked an unprecedented response. In one corner of the playroom, those apparently disgusted by the appearance of this steel pylon in a Disney theme park. In the other, those who are just pleased to see some new rides finding their way into the Studios.

A couple of weeks later, construction has progressed quite a bit more and our photo reporter Dlrpteam has captured some new angles showing how the tower fits into the existing park.

Stepping out of Disney Studio 1 into our mini Hollywood Boulevard…

…no Toy Soldiers Parachute Drop here. Even as you continue up the short stretch of street already in place, the façades built in 2007 are thankfully towering enough to completely block out any visual intrusion from a certain structure behind Art of Disney Animation on the right.

In fact, you only see the camouflage-patterned tower once you reach the junction with ‘Vine Street’, the route which crosses diagonally in front of The Twilight Zone Tower of Terror. Here it looms large ahead, yet to be joined by the 25-metre orange halfpipe of RC Racer.

Although, at least in the first photo above, the view could be completely hidden simply by adding another piece to the right of that flat cut-out backdrop.

Since the last update, all six of the winch mechanism platforms are now fixed in place atop of the tower, giving it a far more solid look — if not exactly “toy-like” at present.

They’re painted in a similar green to the camouflage spots on the tower itself and will hold the cables of each parachute, feeding them down the tower itself into the ride machinery which “bounces” the parachutes up and down. Note also in the other photos here that the steel framework of the Slinky Dog and Toy Soldiers queue buildings have been painted a similar dark green.

Speaking of those parachutes, WDSfans finally got confirmation of the actual ride capacity, which we’ve been unsure of for a while. While the main Toy Story Playland concept art showed parachutes with three seats back-to-back (total 6), other concepts and models showed a set-up more alike Jumpin’ Jellyfish at Disney’s California Adventure, with only 2 seats per parachute. Luckily, that original concept art was accurate — there will be SIX seats per parachute, in rows of three back-to-back, adding up to a grand total of 36 riders per cycle.

This means that with just one (unsightly?) tower, the ride will have a capacity much larger than the 24 riders held by two towers in California, which has to be a good thing. The ride cycle itself will run for exactly 1 minute in Paris, compared with 1 minute 30 seconds for Jumpin’ Jellyfish, increasing throughput and further shortening queue times, which had been a big concern for many.

With capacity perhaps not such an issue after all, that (for now) just leaves the looks and height of the tower to be questioned. Whilst the Parachute Drop is quite neatly hidden and almost unnoticable through the thick gardens of Tower of Terror (above and below)…

…The least flattering angle looks to be the view from the side of Tower of Terror, across the always-unappealing tarmac of the Studio Tram Tour loading area, as pictured below:

But what about when Hollywood Boulevard finally expands? Of course, that’s probably years away, but with a boulevard slicing through here bringing towering new buildings either side, the Parachute Drop would be easily hidden from this angle and many others. Think about it.

Just like the Toy Soldiers, Walt Disney Imagineering surely have their mission all planned out, right?

Pictures by Dlrpteam for DLRP Today.com

Twenty-four hours later, we have our answers courtesy of the manufacturer themselves, constructor of the drywall dome known until now only as ‘Ratatouille Ride Element’. As they say themselves, it’s all about what the individual sees. Luckily, they’ve also provided some exciting specifics…

The extensive work to construct the metal stud framing we’ve all been looking at has since been covered in multiple layers of 3/8″ drywall. After that drywall was installed on top, the absolute highest level of drywall finish was applied — the smoothest possible. A complete “skim coat” to cover ALL the surface visible to the eye.

The reason for this extreme finish? It’s going to be a movie screen. Yes, it isn’t intended to sit on top of the building, but inside the building — as part of the ride. This dome is intended as a projection surface, to show specially-created footage as part of the attraction. Yes, really.

In fact, the ride vehicles of the Ratatouille dark ride are apparently intended to “travel directly at” this dome/screen, making it seem as if the vehicles are travelling with the film footage being projected, “in 3D”.

The constructor knows no other details of the footage or the ride, but confirmed the dome is a huge 26ft in height with a 30ft radius. The photo we saw is just the prototype, the first dome created for the ride, which would explain why it’s been created so far ahead of the ride’s green-lighting or construction. When — or dare we say — if the ride is green-lit, Walt Disney Imagineering will want to know that the technology and effects they’re planning will truly work. This could involve setting the “dome” up at their own research & development facility in California, running test projections to ensure that whatever effect they’re going for is as realistic as possible.

Imagine the possibilities — if the story sees us at rat size, being chased around a kitchen, picture this dome presenting Pixar-animated footage of humans towering around you. The concave of a dome could create some classic Disney forced perspective. Or, taking that very first colander guess, we could ride toward this dome projection screen, be trapped and then “carried” (through projections) to a different area in the kitchen, only able to see through those tiny holes, just like Remy during the chase scenes in the film. An altogether very different dark ride experience.

…But now we’re into more speculation. And based on the last 24 hours, WDI have some tricks up their sleeve that we weren’t quite expecting and as yet probably can’t fully imagine ourselves.

As Anton Ego might say, “Surprise us!”.

Images: Davidmackeydrywall.com, Disney/Pixar.

STOP PRESS! The mystery has been solved — click here.

When was the last time you got excited about a steel cage sitting in a warehouse? Well that’s exactly what we’re all doing, folks. Found on this vague website about drywall construction based in Burbank, California, the image sits inconspicuously in the sidebar, labelled “Disney Radius Dome Construction” and then… “Ratatouille Ride Element”.

Follow a few links around that website, and you can stumble upon a photo of drywall construction for a “Disney Sound Booth”. Both short-lived blogs were last updated in December 2009, though it’s impossible to tell exactly when the photo was posted.

But what is it? A cage? A giant colander?

Maybe we shouldn’t think about it sitting there on the ground. Imagine it higher up, and suddenly…

…it seems…

…very…

…very…

…familiar…

…indeed.

Those domes on Tower of Terror arrived pretty much complete at the resort and were only lifted into place a year before it opened. If they were already preparing this “element” as early as November or December 2009, that’s some head-start they’ve got. Not to mention a little presumptuous since, as far as we know, the ride hasn’t been fully green-lit just yet.

But could Rémy really be bringing another dome to the Walt Disney Studios collection, as part of his Parisian attraction façade? Well, there are plenty to inspire in the city itself…

Tip of the (chef’s) hat to fcoyote on Disney Central Plaza, RnRCj on magicforum
Images: Davidmackeydrywall.com, DLRP Today.com